The problem
Texts, emails, calls, voice memos, DMs — notes scattered across five apps, half of them lost.
Audiodocs is one link for your track. Send it, and every note lands as a time-stamped comment on the waveform — every version, every listen, in one place. Your reviewers never make an account.
The solution
Send one link. Every note lands on the waveform — pinned to the second, across every version, in one place. The link never changes, and your reviewers never make an account.
Time-stamped notes
Comments pin to the exact second on the waveform — never a vague “around 1:12.”
A/B compare, locked
Flip between versions at the same moment — the playhead never moves.
Teams & permissions
Group collaborators into teams — set comment, download or listen-only access once, and everyone inherits it.
Files & references
Share stems, references and deliverables right alongside the track.
No account to review
Collaborators click and comment — no sign-up, no app, no friction.

The top version plays. Hit Flip to swap the other up — same second, playhead never moves.
*audio used with artist permission
Naji Blake · Rough Mix
Send a track, gather feedback pinned to the second, and keep every version in order — without anyone making an account.
Every mix lives under one track. Compare and switch without losing a single note.
Comments pinned to the exact second, with replies and reactions in a running thread.
The low end drops out in the second verse — can we bring it back?
Real-time plays, listeners and downloads — know the moment your A&R actually tuned in.
Password-protect links, restrict downloads, and set links to expire when you choose.
Share a listen-only link and they're in — always the latest version, nothing to sign up for.
Full-resolution, gapless streaming on every device — what they hear is the master.
Clippt is where PR teams pitch. Approve your tracks in Audiodocs, then — if your PR firm runs Clippt — hand them straight over, press-ready.
Versions and notes — the work happens in Audiodocs, where it already does.
Mark it press-ready — one toggle per track, the artist decides what press hears.
Your PR firm takes the approved tracks into their Clippt and pitches from there.
Mark tracks press-ready
Questions
Feedback on music is scattered — notes trickle in by text, email, voice memo and DM, someone references “that bit at 1:32” but not which version, and half of it gets lost. Audiodocs turns a track into one shareable link where collaborators, clients and your team play the audio and leave timestamped feedback right on the waveform. Every note lands in one place, pinned to the exact moment and version — one streamlined thread instead of five apps to chase.
No. Anyone you send a link to can listen and comment straight away — nothing to install, nothing to sign up for. You stay in control of what each link can see and do.
Always. Your uploads stream and download exactly as you provided them — Audiodocs never re-encodes or compresses your masters. What you upload is what your collaborators hear and what they get back.
Listeners drop comments at exact moments in the track, reply in threads, and react. Everything lands in one place, tied to the version it was left on, so nothing gets lost across email and DMs.
Yes. Group people into teams with their own permissions, and set access per song. Send a quick listen-only link, a full feedback link, or a file drop — each one scoped exactly how you want.
When a track is final, send it to your approvers. Once everyone signs off it locks as the approved master, and the deliverables — masters, stems, artwork — are handed over to the sign-off group, with an optional payment gate before the files release.
Clippt is the campaign side of Audiodocs — taking a finished master from sign-off through to press and playlist coverage. Same project, from first revision to front page.
We're letting a small group in at a time. Tell us a little about you and we'll send an access code as seats open. Your reviewers never need an account — not on any plan, not ever.
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